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Continuity mistake: As Dark Superman begins sitting down at a mirror in the salon, there is a green bottle on the desk with a black cup next to it. Then after he sits down, the black cup suddenly becomes a red bottle. (00:53:05)

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Continuity mistake: When Dark Superman goes to the door to the salon, the door has on it the number 932. He opens the door in, and it swings to the right. But it cuts to an inside view and suddenly it is swinging it to the left, and the font of the number has completely changed. (00:52:50)

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Continuity mistake: When the real Superman is in the solar chamber going through accelerated absorption of solar energy, there is a giant, dormant robot to the right of the chamber, and Superman is on the left side facing it. A few shots later, suddenly Superman is on the same side of the chamber as the giant robot and has his back to it. Then in the very next shot, Superman is instantly on the left side again facing the robot. (00:51:30)

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Continuity mistake: When Dark Superman is confronting the old lady about letting her cat out, police cars drive up and spotlight him. Dark Superman's shadow is cast on the wall beside him, and on the small balcony. But when the camera angle changes, his shadow is on the bricks, not close to the balcony. (00:50:45)

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Continuity mistake: As Lois makes her way to the scene where Toyman was killed, there is a green sheet over his body on the police car. There is blood going from his exposed hands down the side of the car to the ground, but there is no blood on the top of the sheet. Then when Lois sees Jimmy snapping pictures of the scene, there is suddenly quite a bit of blood on the green sheet. Then when the camera shows a high angle of the vehicle with the dead Toyman on it, the blood is gone once again. (00:49:10)

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Continuity mistake: As the police car with Toyman in it arrives at the police station, there are 5 cops standing at the bottom of the steps in front of the station standing it two groups. Three side by side, and then two off to the side. There are also several civilians close to the steps. Then it cuts to a bird's eye view of the station and suddenly there are only 4 cops in front of the station, and their arrangement has changed. And the civilians around the station are suddenly much further away from the steps. (00:48:00)

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Continuity mistake: The curtains on the door of the Kent farm keep changing colors in the scene where Lois talks to Martha Kent at the door. Shots from behind Lois show the curtains a pale white color, but the close ups of Martha show them as red. And in the reverse angles from behind Martha, they appear a pale pinkish orange. (00:31:00 - 00:32:30)

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Continuity mistake: When Perry White is talking to Lois about Clark not calling or emailing, Lois is reading the newspaper about Superman's death. She has it opened up fully. But after the camera shows Clark's computer, Lois still in the shot with the newspaper open, it cuts back to Lois and suddenly she has it folded over. (00:30:25)

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Continuity mistake: When Superman emerges from the smoke and rubble after smashing Doomsday down with reentry, he is mortally injured and his suit is tatted, torn, and burnt. The shoulders are notably torn and his left shoulder looks burnt. Then after Superman dies in Lois' arms, the camera pulls back and suddenly his suit is in perfect condition, aside from the missing cape. (00:26:45)

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Continuity mistake: After Doomsday and Superman get out of the subway, Superman flies into him before the monster attacks more civilians. But Doomsday counters and smashes Superman into the ground. Superman is then trying to get up and is on his hands and knees. But the angle changes and suddenly he is on his side. Also the car beside Superman vanishes between shots. (00:23:45)

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Continuity mistake: At the Fortress of Solitude, Superman is shown trying to cure cancer. The large computer he is using has three screens in a semicircle around it. Throughout the whole scene there with him, the robot, and Lois, the screens keep changing positions or vanishing all together. (00:07:30)

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Continuity mistake: As Clark is telling Lois that he's off to the airport to leave for Afghanistan, she is putting her report on Lex Luthor's "charity organization" in the shredder out of frustration at Perry White. There is a painting of a landscape on the wall behind the paper shredder, and there is a blue file cabinet next to Lois and the shredder. The file cabinet is about the same height as Lois while she's sitting. It cuts to Clark, and then back to Lois in a closer shot, and suddenly the painting on the wall has vanished and the file cabinet is much taller. (00:04:40)

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Continuity mistake: Just before Clark walks up to Lois' desk to tell her he's off to the airport, you see a view of part of her desk as she's throwing papers away. You see her phone, and there is nothing else visible except the side of her computer as the camera pans up. Then after Clark goes to the elevator, a different angle of her desk is shown at her cubical. Suddenly the phone is in a different position, a pencil appears, and a yellow sheet of paper is hanging off the side that was not there a moment before and is wedged under the phone. (00:04:30)

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Continuity mistake: As Lois is ranting to Perry White about her report, the door to Perry's office is behind her. You can see the writing of "PERRY WHITE EDITOR" on the door through the glass, backwards as it is on the other side of the door. The edge of the letters of the P in Perry and the E in Editor are about 3 inches from the edge of the window by my best guess. A few shots later, it cuts to outside this door showing Jimmy Olson eavesdropping on the conversation from the other side of the door. Now suddenly the letters are closer to the edge of the window, now being about only an inch. The font style of the text on the window also changes slightly. (00:03:40)

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Continuity mistake: When Perry White picks up Lois' report, it is on the left side of the computer from his perspective. He keeps it in his left hand and does not move from that spot and the computer is shown in the next spot as being on the right edge of the desk. Yet when he slaps it down in the side shot, his arm and paper are suddenly to the right of the computer. (00:03:35)

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Continuity mistake: The driver of the gas tanker kicks around frantically as Doomsday is ripping him out of the truck and kills him. His foot goes through the driver's side of the windshield, shattering it. But the passenger side is unharmed because it is a separate window in this model of truck. The truck plows through the guard rail after Doomsday kills the driver and plummets to the ground, the passenger side of the windshield still fine. But in the shot of it just before it hits the ground, it is suddenly cracked as well. (00:14:55)

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Continuity mistake: When Doomsday looks up and sees a gas tanker driving by, it only has two lights on top of it. When it cuts to a close up, it has 4 lights on top. Also in the distance shot, the window and side view mirror on the passenger side are missing, but appear in the close up. (00:14:35)

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Continuity mistake: After throwing the guy out of the driver's compartment of the laser drill, Doomsday jumps down and smashes a guy into the ground, leaving a hole. During this same shot, Doomsday picks up the laser drill rig and crushes another guy with it, and suddenly the hole has vanished. (00:10:30)

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Revealing mistake: When Tess walks into Lex's office, he is standing at his window looking out, or at his reflection. When he turns around and begins typing on a hand held device for the cure to Muscular Dystrophy, he at first only turns half way around, being 90 degrees and now facing parallel to the window. However, his reflection turns around 180 degrees and like he has his back to the window. (00:06:40)

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Continuity mistake: Just before Clark is shown getting into the elevator at the Daily Planet, the light arrows above the elevator are shown as the down arrow lights up. It cuts to Clark getting in the elevator and suddenly there is a white bar between the two arrows. (00:04:50)

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