Butch Cassidy and The Sundance Kid

Question: What was the point of the dialogue between Butch and Etta when she wonders if they might have been a couple? There are no other moments in the film where she seems to want Butch more than Sundance so why bring it up for no reason at all?

Answer: It's to show how Butch and Etta care about each other as friends and that Etta is not just someone Butch has to put up with because she's Sundance's woman. A strong bond unites the three of them.

raywest

Question: In the final scenes where they are trapped by the Bolivian police in that little room, they're guessing how many men are out there when Butch says, "maybe its only one guy?" Suddenly 3 shots, too quick to be one gunman rings out. Sundance looks at Butch and says. "don't you ever get sick of being right?" Isn't Butch wrong? There's an army out there.

Answer: Sundance is being sarcastic. Butch is a know-it-all, and he's been frequently proven wrong throughout the film, usually to their detriment, but continues to think he's the "smart one" of the duo. Sundance is just ribbing him.

Question: The beginning of the film states that most of it is true. Are there any specific happenings which can be pointed out as not true?

Answer: It's doubtful Butch and Etta rode around on a bicycle together, and Butch and Sundance did not jump off a cliff into a river.

raywest

Revealing mistake: In the opening sequence when Sundance shoots the gun belt off the card player, the film was cut to make the quick draw appear faster. You can see Butch's image jump across the screen in the background.

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Butch: Kid, next time I say "Let's go someplace like Bolivia", let's go someplace like Bolivia.
Sundance: Next time.

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Trivia: Katherine Ross, (Etta Place) was caught operating a camera, filming some footage of the arrival of the train carrying the "super posse". In the late 60s the US film business was strict, closed shop union (to a great extent it still is) and Ross operating a camera was against every rule there is. Several senior crew members demanded her dismissal from the film but producer John Foreman and Unit Production Manager Lloyd Anderson, aware of the fact that a lot of scenes with her in it would have to be reshot at absurd expense, argued for a compromise to which the union agreed - none of the footage she shot would be used (it wasn't) and she would be asked not to be on set while scenes in which she was not involved were shot. Her gender was totally irrelevant to the issue. This is confirmed in William Goldman's excellent memoir, "Which Lie Did I Tell?"

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