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Short Fuse - S8-E3

Other mistake: Tony logs into Abby's email, however he mis-spells her surname on the login details. He spells it Scuito when her name is spelt Sciuto. The I and U are the wrong way round. (00:06:00)

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Worst Nightmare - S8-E2

Factual error: When McGee tracks Mason's first phonecall, he says the line has been forwarded to a skype number. When he does the IP address shows up on the screen as 212.11.256.192. An IP never goes over 255. (00:11:40)

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Worst Nightmare - S8-E2

Continuity mistake: When we first see Mason he puts his hat on the table by his phone. His hat then disappears from the table only to be replaced by Mason when Gibbs walks in. (00:06:20)

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The Man in the Bear - S1-E5

Revealing mistake: In the woods, look carefully and you will see Sherman is holding the cuffs behind his back rather than being actually cuffed. (00:31:30)

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The Man in the Bear - S1-E5

Continuity mistake: The way Bones positions the bones on the tray change between shots when she photographs them for her team. (00:06:40)

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The Man in the Bear - S1-E5

Continuity mistake: When Booth tells Bones that she isn't done yet near the start, Bones puts a pen in her mouth with the back of her hand away from the camera. Camera changes and now it's facing the camera. (00:02:40)

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Worst Nightmare - S8-E2

Continuity mistake: When the grandfather is talking to Bibbs and gets the phone call his hands/arms are off the table. As the shot changes to a longer one, his arms are now on the table. (00:08:09)

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Cracked - S8-E6

Factual error: When we see the military file on screen for the victim, the gender is marked Male despite being a female. (00:05:00)

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Phantom of the Telethon - S4-E7

Continuity mistake: When Stan comes in and says that Bullock loved his telethon idea, Roger goes from holding his wine glass to having his arms crossed depending on the shot. (00:06:30)

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Audio problem: At the end, Bond gets a phonecall from someone in the hotel room. As he says "yes" on answering, his mouth doesn't move. (01:45:50)

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Dead Air - S8-E5

Audio problem: The audio that Tony plays back which features the shooting is completely different to that which we see/hear at the start as the shooter walks into the studio. (00:01:20 - 00:06:30)

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Dead Air - S8-E5

Continuity mistake: When Gibbs is talking to the terrorist, his arms goes from crossed on the table to in his lap depending on the shot. (00:25:10)

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Short Fuse - S8-E3

Continuity mistake: When the bomb timer is discovered, Dempsey is stood next to the bomb as seen on Monitor 1 of the control room. The camera pans across, past monitor 2 and onto Monitor 3 which is still the same room but a different angle. On Monitor 3, Dempsey is now around 3-4ft away from the bomb. (00:14:00)

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Short Fuse - S8-E3

Continuity mistake: When Gary's wife is talking to Fornell and Gibbs, she either has her hand on the rake handle or lowered depending on the shot. (00:24:30)

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Short Fuse - S8-E3

Audio problem: When we first listen to the 911 call, the woman says, "there's no rush" however the audio playback bar is at a point on the screen that shows no spikes in the pitch. (00:06:40)

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Worst Nightmare - S8-E2

Continuity mistake: When speaking to Conrad about taking the internship at NCIS, the clock behind Conrad changes drastically. (00:04:25)

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Worst Nightmare - S8-E2

Continuity mistake: The way Abby holds out the bells for the intern to wear changes depending on the shot. In one shot she has the string over all 4 fingers and in another only over 1. (00:09:20)

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Worst Nightmare - S8-E2

Continuity mistake: The writing on the board changes style at the very start. Note the 1st A in Satan. (00:00:15)

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Continuity mistake: At the Gypsy camp, Bond sits down and there is nothing in front of him on the table. We see the belly dancer arrive and suddenly there is a plate of food and Bond has got a drink in his hand. (00:38:20)

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Continuity mistake: When talking to Tatiana for the first time, Klebb has her truncheon on the desk as she stands up to walk around the desk. However, when she reaches the other side of the desk the truncheon is now in her hands again. (00:16:10)

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