Running with scissors - S3-E11
Visible crew/equipment: During breakfast, when Charlotte asks about upper length gloves, check her lenses reflection: Sam (in front of her) is replaced by a big squared object, most surely the camera.
12th Jun 2020
Running with scissors - S3-E11
Visible crew/equipment: During breakfast, when Charlotte asks about upper length gloves, check her lenses reflection: Sam (in front of her) is replaced by a big squared object, most surely the camera.
12th Jun 2020
Visible crew/equipment: After Indy's father is cured and the Nazis drop the weapons, he stands up and set lights are reflected on his glasses.
1st Jun 2020
Visible crew/equipment: When Stanford and Carrie arrive at the furniture place he says "look at this place." Check the reflection on the shop window: There's a boom mic following them.
30th May 2020
The turtle and the hare - S1-E9
Visible crew/equipment: While Carrie and Brooke walk down the street, before and after they see Turtletaub the whole filming crew (a man holding a lighting screen, a sound technician wearing headphones and another crew member) plus cranes, tubes and boom mic are reflected on a glass for several seconds.
30th May 2020
The turtle and the hare - S1-E9
Visible crew/equipment: Lighting screens reflected on Turtletaub's glasses when Sam says he's got a facial at 3.
30th May 2020
The power of female sex - S1-E5
Visible crew/equipment: While having breakfast at the hotel Carrie says "one thing he didn't leave me was his phone number" right then a crew member in red is reflected on the coffee pot, walking around the room.
30th May 2020
The man, the myth, the viagra - S2-E8
Visible crew/equipment: When Ed toasts with Samantha and says "a toast to fun" a boom mic is very briefly reflected on his glass.
30th May 2020
The man, the myth, the viagra - S2-E8
Visible crew/equipment: When Samantha is having diner with Ed and she is about to discover what present is under the plate dome, a boom mic is reflected on the silver.
30th May 2020
Visible crew/equipment: Lighting screens reflected on Carrie and Sam's lenses while they have a snack at the flea market.
30th May 2020
Take me out to the ballgame - S2-E1
Visible crew/equipment: The girls pick up Sam and when the cab leaves the camera is reflected on the rear window. (Pausing is not necessary at all, but it's fun to pause and check for a huge white sheet behind the camera, which gives away the mistake).
30th May 2020
Visible crew/equipment: When the cop commands Overlord to turn off the engine, a big black tower from the filming equipment is reflected on the front part of the truck. It is not visible in the wide shots of the place.
30th May 2020
Visible crew/equipment: Lighting screens are reflected on Phil's lenses when he removes Howard's feathers off his tail and leaves the place.
30th May 2020
Visible crew/equipment: When the woman at the bureau of employment looks at Howard, the reflection on her lenses show a white screen used for lighting. Howard has disappeared.
15th May 2020
Visible crew/equipment: Before Overlord shatters the glass at the nuclear plant, the cameraman on his right is reflected.
15th May 2020
Visible crew/equipment: When the movie ends and Howard and Beverly dance onstage a mirror reflects the crew and cameras.
15th May 2020
Visible crew/equipment: After Howard and Beverly exit the museum the boom mike is reflected on the left door.
15th May 2020
Visible crew/equipment: When Dr Jenning is driving his stunt is very noticeable.
29th Apr 2020
Visible crew/equipment: During the first credits, when the name Kevin Bacon appears on-screen there's a close-up shot of a bayonet. A white screen used for lighting and filming is perfectly visible reflected on the metal.
28th Apr 2020
Visible crew/equipment: When J is going to use the neuralyzer on K, on J's lenses you can notice that K has been replaced with a white screen used for lighting.
26th Apr 2020
Visible crew/equipment: Jordan arrives at the ship and Billy tells her "you can do this gig with your eyes closed." The whole crew is reflected on his sunglasses.
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